R.I.P. William Moody

It's a sad day today. A true icon, especially to managers like myself, Paul Bearer passed away. The details of his passing aren't known currently. William Moody would have been 59 next month. He just loved professional wrestling.

He was on WrestleMania. He helped craft three of the greatest characters in professional wrestling in Kane, The Undertaker, and Mankind. He was a star and house hold name to fans. He also acted like being at an indy show with 80 people in the crowd was the best place to be. Again, he just loved professional wrestling.

I never got to ride with him from shows, but those who did often tell stories about their experience. Paul Bearer was always willing to listen and he was always glad to give advice. He was a nice guy in a business of cheats and hustlers. He will be missed.

Enjoy these videos and may Paul Bearer Rest ... In ... Peace!

 

 

 

 

 

 

String Pullers: The Evolution of the Creative Process in Professional Wrestling (Part 3)

Here is the final part of my Senior Thesis. It takes a look at the future of professional wrestling. This includes my theory on what will make a successful booker/writer in the current wrestling environment. Enjoy!

The Main Event: The Future of the Creative Process

            As professional wrestling continues on with this constant evolution, the rift created in professional wrestling will widen, or begin to verge into a new era of the creative process in professional wrestling. I believe that the next stage of evolution that will solve the rift in professional wrestling is a hybrid of the traditional skills of a wrestling booker to weave the history of the sport inside the limitations of the genre fused with the trained skills and natural talents of a college educated English major with a background in various creative mediums. In seeing the growth of professional wrestling as an evolution then the same traits of the theory of evolution apply to the creative process. The theory of evolution is based on the strongest attributes “accumulating and the result is an entirely different organism” (Allaboutscience.org). This belief in the theory of evolution would lead to the eventual hybrid of traditional booker and creative writer.

            The creative process hybrid that would come from this next stage of evolution would possess the trained skills of a professional writer to develop in depth story lines enhanced with the writer's natural talents in the creative realm. These natural talents in creativity are no different than the athletic skills of a sports figure. As in sports all athletes must respect and understand the limitations of their sport to fully achieve success, something understood and practiced by bookers.

            In the game of basketball the ability to jump is necessary, just as the ability to create a basic story line is necessary to the creative process in wrestling. If a person could jump twenty feet that person would be seen in the same light as some of the professional writers who possess similar amazing abilities when it comes to creative writing. The limitations of basketball would dictate the restrictions of this ability as the basketball hoop, which represents the purpose of the sport, is only ten feet high. If a player has tremendous skills, such as jumping twenty feet, but is constantly violating the limitations of the sport by jumping beyond the basketball hoop then that player is letting that tremendous ability prevent success instead of achieve it.

            This same respect for the limitations of the creative process in professional wrestling is found in the history of professional wrestling. This ability to know and excel under these limitations is what the professional booker in wrestling brings to the new hybrid in the evolution of the creative process. As professional wrestling moves beyond the niche audience that has made up wrestling's fan base, and expands to a global audience, the need for bookers to develop trained skills in creative writing, and to possess a natural ability to understand how to thrive in the new global digital age, becomes a requirement for survival.

            As professional wrestling evolved the need for these skills became a kin to that of predator, who excelled in a small habitat, needing to gain a stronger and faster approach when that habitat became expansive. No longer can the usual skills that helped on such a small scale be of the same effect on a larger scale. This is the purpose of evolution, not only just in wrestling, but in life. Now that the habitat for professional wrestling has changed; the people behind the scenes need to change with it, or become extinct.

The Post-Show Reviews: Criticisms and Conclusions

            As with all things that involve change there can be skeptics toward the evolution of professional wrestling’s creative process. Gabe Sapolsky, when asked about this theory of the next phase in professional wrestling, had his doubts when he said, “This would seem like it would be the best of both world's on paper, in reality I'm not sure if it would work because the two viewpoints might not be able to co-exist” (Sapolsky). I agree that the two viewpoints wouldn't exist because the role of evolution would weave these viewpoints into one viewpoint creating this new creative process in wrestling. In doing this both viewpoints become a thing of the past as the evolution in the creative process replaces them with one viewpoint built on the strengths of both viewpoints while weeding out the flaws.

            While those in professional wrestling can be skeptical towards change; there is consensus that wrestling in some way will always be changing. There is an agreement that for better, or for worse, professional wrestling is in a constant state of change with new ideas and characters to continue the path of wrestling's history that extends centuries before today's current state of wrestling. This new evolution of professional wrestling writing is seen by Jimmy Jacobs when he says,

“There are old traditional wrestling bookers who book good enough television aimed to traditionally get fans emotionally invested with traditional heel and baby face roles; this can work to an extent but can often be unspectacular. There are also many wrestling television writers that, while perhaps entertaining, can fail to emotionally captivate fans and can come off as over the top or cheesy. The foundation of traditional professional wrestling concepts set in new creative ways will, in my opinion, always make for good television“ (Jacobs)

This recognition of the need for a hybrid of the strengths of both traditional booker and professional writer is the beginning of the evolution of professional wrestling's creative process in the decades to come.

            As this evolution continues through professional wrestling, one aspect will never change as pointed out by Roland Barthes. This aspect is that “wrestlers remain gods because they are, for a few moments, the key which opens Nature, the pure gesture which separates Good from Evil, and unveils the form of Justice, which is at last intelligible” (Barthes 25). This basic moral situation is the heart of professional wrestling, and will remain a constant during the evolution of professional wrestling. As the hybrid form of the creative process begins to take shape this role of professional wrestling in society will keep wrestling anchored to its purpose. The evolution of the creative process in professional wrestling, fusing the strengths of both booker and writer, will bring a new way to extend the purpose of professional wrestling to a wider audience in the new digital age for the near future and beyond. 

String Pullers: The Evolution of the Creative Process in Professional Wrestling (Part 2)

This is the second part of my Senior thesis. This part covers a deeper look in the change of kayfabe in the creative process that allows for fans to peak behind the curtain and know the ins/outs of professional wrestling.

The Curtain Jerker: Removing the Veil

            Jimmy Jacobs says, “When I started in nineteen ninety nine, wrestling was in a huge boom. It was wildly popular. Fast forward eleven years later, pro wrestling is the black sheep of the entertainment business” (Jacobs). Jacobs had started his career during the creation of the rift in professional wrestling. He had seen the curtain pulled away as not only a fan, but also a budding wrestler. This boom in popularity in professional wrestling created a need for a new kind of writer, as professional wrestling had moved its focus from the tens of thousands of fans in local arenas towards the hundreds of millions of fans around the world viewing professional wrestling on various mediums during the dawning of the digital age.

            With this shift in professional wrestling writing the view of wrestling also shifted, as stated by Jacobs, that no longer was wrestling its own sports genre, but soon wrestling became known, and judged, as entertainment. This began in “2001 when World Wrestling Entertainment began putting ads in the trade magazines for television writers” (Oliver). This was unheard of to publicly admit that professional wrestling was theater. The largest professional wrestling company in the history of the business had placed a classified ad for the biggest secret in professional wrestling. At this moment the traditional role of professional wrestling booker had changed and been replaced by the more modern, television friendly, creative writer.

            Professional wrestling had evolved into a new age and the creative process needed to evolve with it. For the first time the audience was in on the story lines of wrestling, and the writers needed to create the sense of reality without an illusion of legitimate sport. While this sounds impossible, Roland Barthes believes this task was not because he sees that the belief in the reality of the story isn't what is truly important to the creative process in professional wrestling. Barthes believes that in professional wrestling “there is no more a problem of truth than in the theatre. In both, what is expected is the intelligible representation of moral situations which are usually private” (Barthes 18). This belief in the purpose of professional wrestling is a strength for the modern creative process as the currently sought after colleges educated English majors with backgrounds in creative writing, and television, possess the exceptional ability and trained skill to create these moral situations for the modern wrestling fan.

            The advantage of hiring professional writers with degrees in creative writing is the talents and developed skills they possess over a traditional booker. Due to professional wrestling protecting the secret of the creative process the position of booker was usually held by former wrestlers or performers. In being a former, or even current, performer gave a booker the knowledge of how to manipulate a crowd to believe what they were seeing was real. Bookers didn't write story lines like a television script with written interviews and detailed segment break downs. It would not be farfetched to have the whole show for an evening written out on the napkin of the restaurant the booker had eaten dinner at.

            When wrestling became entertainment the ability to acquire highly skilled writing talent also became available. No longer did companies have to search amongst the secret circle of wrestling to find the creative minds behind the stories and characters. World Wrestling Entertainment could find the greatest writing minds of the twenty first century. With all this great ability and skill professional writers had a very prominent weakness when compared to a traditional booker; they had a disconnection with the essence of professional wrestling.

The Mid Card: The Booker vs. The Writer

            The issue with the creative process of professional wrestling moving into this new need for professional writers, instead of traditional bookers, becomes the loss of the connection to professional wrestling's history. While most of the professional writers will have their own personal histories with professional wrestling, the exposure can't compare to the pedigree instilled in a traditional wrestling booker. This knowledge of wrestling's history also becomes an important part of knowing the limits of the creative process in professional wrestling.

            Due to professional wrestling's authentic connection to reality as a fun house mirror that reflects reality back onto reality; there are certain limitations of reality that have to be respected in writing a wrestling story line. These types of limitations on creativity don't apply for other mediums that professional writers work in. When asked about these limitations, Jimmy Jacobs says,

“There's nothing really like wrestling. The range for the suspension of disbelief from the audience is very small. What I mean by this is that in any given TV show there can be terrorists, rape, flashbacks, and a number of other scenarios and tools the writers can use. In wrestling all of that is very limited. So often creative writers in wrestling come up with an idea that may work on a different stage, but for pro wrestling, it's either offensive or cheesy” (Jacobs)

In presenting such a wrestling product that relies on a genuine connection with its audience, this violation of the limitations creates the rift that is present in the current state of professional wrestling. This limited window for creativity gives wrestling a sense of reality that can be used in developing the characters that will be the roles of the wrestlers.

            The role of the wrestler is crucial to the creative process in wrestling. Barthes says that, “wrestling is an immediate pantomime, infinitely more efficient that the dramatic pantomime, for the wrestler's gesture needs no anecdote, no décor, in short no transference in order to appear true” (Barthes 18). Barthes is stating that for the genuine connection of wrestling to happen between the wrestling match and the audience, the role of the wrestler must come from the wrestler. This is something that, as a former performer, a traditional booker has a better grasp on than a professional writer, who find actors to take on characters. The characters that wrestlers take on are like the sport of professional wrestling, exaggerated realities.

            Gabe Sapolsky approaches his creative process the same way when it comes to developing characters for his writing. Sapolsky believes “in developing a character out of a person's real life personality. I think if you develop a character and then force someone to play it you won't quite fit” (Sapolsky). This has become the pitfall with the current process of professional writers who have been trained to create characters and find actors after creation to fill the roles. The roles become hollow and without the spark of reality to create a connection with the audience. In looking at wrestlers as having the same skill set as professional actors, creative writers produce roles that don't transfer the ideas from the story lines to the audience with the same effect as when those characters are forged from the personalities of the men and women who will assume those roles. The opposing roles of booker and writer create a paradox where one side’s weakness is the other side’s strength resulting in a perpetual struggle between the two styles. The solution to this struggle is the eventual evolution of the role into a hybrid resembling a yin yang of writer and booker.

String Pullers: The Evolution of the Creative Process in Professional Wrestling (Part 1)

This is the first of three parts for my Senior Thesis on the creative process in professional wrestling that I wrote a year ago before I graduated from the University of Saint Francis. It takes a look at the changing environment in pro wrestling over the last few decades. I have provided my work cited page in an earlier post. Enjoy!

String Pullers:
The Evolution of the Creative Process in Professional Wrestling

            The landscape of professional wrestling is constantly changing. Each year professional wrestling continues to evolve with the story lines, and characters, that make up wrestling's expansive history. This history of wrestling has become connected to human history, as until only a few years ago professional wrestling existed under the veil of legitimate sport. While the wrestlers are world class athletes; the knowledge by an audience, kept completely in the dark, about predetermined out comes would have changed the original belief about wrestling as a legitimate sporting contest.  Professional wrestler Jimmy Jacobs sees the genuine connection between reality and wrestling because “professional wrestling has always been a fun house mirror of sorts to the world and culture” (Jacobs). This ability of wrestling to take an exaggerated look at reality has always been protected by the veil around professional wrestling, that in some way wrestling was reality, because it was seen as a legitimate sporting contest. When this veil that protected wrestling's reality was removed it created a new wrinkle in the evolution of professional wrestling as the role of creative writer became an option not just for those in the protected circles of professional wrestling, but for professional writers from other mediums such as television, theater, and cinema.

            The removal of the professional wrestling veil created a rift between the traditional style of a pro wrestling match maker, also known as a “booker” (Oliver), and the modernized creative skill found in a college educated English major. This rift can be seen today in the ratings of World Wrestling Entertainment's flag ship show Raw is War, that has seen television ratings cut in half since the boom period at the turn of the century when the veil of professional wrestling was being removed (Wrestling Information Archives). With this rift I believe that professional wrestling is preparing for the next evolution in the creative process as the future role of a writer will become a hybrid of a traditional wrestling booker's knowledge of the sport and history fused with a college educated creative writer's trained skill and natural ability to produce highly developed ideas in story lines for various creative mediums.

The Pre-Show: A History of Wrestling's Creative Process

            Only a few decades ago the veil of professional wrestling was firmly intact as fans gathered from far and wide to cheer their heroes, and jeer their villains. Roland Barthe's essay on professional wrestling, entitled The World of Wrestling, says that this connection between the crowds and the wrestlers is because “wrestling partakes of the nature of the great solar spectacles, Greek drama and bullfights: in both, a light without shadow generates an emotion without reserve” (Barthes 15). This ability to generate an emotion without reserve is the foundation for the creative process in professional wrestling. Since the day the first bell rang, until the somber day when the last bell sounds, this ideal will be the heart of the creative process in professional wrestling. This ability originally gained its strength in the veil of professional wrestling as the secrets of how the magic was made were kept on a very strict need to know basis. Legendary professional wrestling manager, and seasoned booker, Jim Cornette remembers that when he began in the wrestling business that he “didn't know there was a booker until a week before he went on television” (Oliver). Since the knowledge of wrestling being a full contact theatrical performance was so tightly guarded the history of the sport became a tool that bookers used.

            The role of history in professional wrestling came from wrestling's general public belief that professional wrestling was a legitimate sporting contest. Since the nature of the business was protected the matches, and actions of the wrestlers, became recorded by fans and the media much in the same way professional sports like football or baseball are kept. Bookers could build feuds on history between wrestlers, or even their families from generations ago, because in the eyes of the fans professional wrestling had a legitimate sports history. This type of emotion is comparable to the connection a rivalry has in sports. When a professional wrestling booker used history to generate emotions from fans it was no different than when teams like the New York Yankees got their fan base riled up by showing negative Boston Red Sox highlights from decades ago. While none of the players on either team are the same, the history of the teams creates the energy used to fuel the hatred one team has for the other, as the only constant is the jersey that the players wear.

            Gabe Sapolsky, a booker during the current rift in the creative process, says, “I feel it can only hurt to not have a basic understanding of what works in wrestling. You still need to have the fundamentals of storytelling in wrestling” (Sapolsky). The most basic of fundamentals that all creative writers in professional wrestling have is wrestling's storied history. Sapolsky broke into the wrestling industry with one of the wrestling promotions that helped remove the veil from professional wrestling: Extreme Championship Wrestling.

            When it comes to professional wrestling history the letters E-C-W carry a lot of weight as a wrestling promotion that had left a mark on the wrestling time line. A decade after the demise of ECW fans still chant the name of the promotion, and others like World Wrestling Entertainment have tried to restart the promotion because of these loyal fans (The Rise and Fall of ECW). These actions by fans and wrestling promoters are a testament to the strength of the role history plays in the creative process in professional wrestling, as a defunct promotion can carry a fresh connection with a business and an audience over a decade later. This role in professional wrestling history also played a role in the current state of creative in wrestling as ECW literally removed the curtain that separated the fans and the wrestlers.

            During a segment featuring two wrestlers, Tommy Dreamer and The Sandman, one wrestler injures the other wrestler with a lit cigarette and strikes him in the eye with a cane. This incident led to the cameras for ECW going backstage to see both good guy and bad guy wrestlers co-mingling as Tommy Dreamer pleaded his case that he didn't mean to hurt The Sandman (Rise and Fall). This segment was part of ECW's counter culture cutting edge style. There was no true motive in taking away wrestling's greatest tool. The rumors and theories behind removing the veil of professional wrestling are plentiful. ECW, and other companies, were trying to deliver new and fresh ideas to an audience of fans that, mostly thanks to the internet, had started to get wise to the reality of the business. The breaking of the greatest taboo in professional wrestling became the only way to stay ahead of the fans, if only for a short time.

            This was just one example of how the veil of professional wrestling was torn off from the nineties into the turn of the century. At this moment fans were being allowed to see that the men, who in the ring hated each other enough to make them bleed, were friends behind the scenes. Actions like this had destroyed the illusion that professional wrestling was still a legitimate sporting contest. As seen in the ratings for WWE's Raw is War during the time period, this move to reveal the secrets behind professional wrestling generated instant attention as professional wrestler Jimmy Jacobs saw during the time.

Pro Wrestling Senior Thesis

When I graduated from the University of Saint Francis with a BA in English: Creative Writing, I wrote my senior thesis on the creative process in professional wrestling. I decided that people may enjoy reading this researched piece with interviews from Gabe Sapolsky and Jimmy Jacobs, plus other sources such as the widely popular "Guest Booker" series. Before I begin I wanted to share my work cited page that can be used when I cite my quotes in the next three posts (today, Thursday, and Friday).

Work Cited

Allaboutscience.org. “Darwin's Theory of Evolution”. 2002. 20 Nov. 2010 <http://www.darwins-theory-of-evolution.com/>

Barthes, Roland. “The World of Wrestling” Mythologies. Translated by Annette Lavers, London: Paladin, 1972. 15-25

Jacobs, Jimmy. Personal interview. 8 Nov. 2010.

Oliver, Sean. “Guest Booker with Jim Cornette”. Interview. Jim Cornette. DVD. Kayfabecommentaries.com. 7 Nov. 2010.

Sapolsky, Gabe. Personal interview. 16 Nov. 2010.

The Rise and Fall of ECW. Dir. Kevin Dunn. Perf. Paul Heyman, Eric Bischoff, Vince McMahon, and Tommy Dreamer. 2004. DVD. World Wrestling Entertainment, 6 Nov. 2010.

Wrestling Information Archives. “Raw is War Ratings History”. 9 June 2008. 20 Nov. 2010. <http://www.100megsfree4.com/wiawrestling/pages/wwf/wwfraw.htm>

Size Doesn't Matter, Sizzle Does!

Kevin Nash once again has opened up the discussion that small wrestlers don't draw money. In an article for Grantland.com, Nash said that at WrestleMania 20 the crowning of Eddie Guerrero & Chris Benoit as champions is what destroyed the business. He claims that when wrestling went away from Monsters to normal sized competitors that the fans went away too.

Many have fired shots back at Big Sexy. Chris Jericho says it was Nash's run as WWE champion in 1995 that was the lowest drawing period in the WWE, and that he merely took a ride on Hall & Hogan's coattails in the NWO. Chavo Guerrero Sr, who knows a little about this sport called wrestling, laid into Nash claiming besides his size that he lacked any wrestling ability. Jim Ross even disagreed with Nash, but wasn't as vocal in his opposition.

The fact is that Kevin Nash is good at creating a buzz. It maybe his greatest talent. He's like that kid on the playground that just knows what buttons to push. He's a big guy, there are a lot of smaller wrestlers in today's environment, and the two guys he talked about aren't around anymore to defend themselves. Put all of it together, and it creates the perfect storm. In short, he hooked em.

Now no matter what side you're on you have gone to Grantland and read the article. You've read the small snipet that is creating all this craziness, but you've also read about his Hollywood projects. You've read about what Kevin Nash is upto now. You've made Kevin Nash a headline story on all the wrestling sites, and he hasn't stepped foot in the ring for one of the big 3 wrestling promotions. He's more talked about right now than Brock Lesnar, HBK, or HHH; the main players in the Summer Slam main event in 11 days. Kevin Nash without trying has out sizzled the WWE and TNA, both going into big pay per views.

Now I disagree with Kevin Nash. I don't believe size matters because even as far back as the 60's midgets have drawn money. What draws money is the bookers or writers being able to create storylines, matches, and moments for talents big & small that keep the fans opening their wallets.

Truly what has killed wrestling, especially in the WWE, is the lost art of true creative minds in the business. The head of creative for the largest promotion got her job because of her last name. The guy leading the writers in TNA is still living off his stroke of luck from the attitude era that he hasn't been able to recreate in nearly 15 years. Finally the brain trust in Ring of Honor continues to run it's promotion like it's the late 80's, which hasn't done much to move the needle.

All in all the talents and fans have evolved, the creative process has devolved. That kind of seperation between the major factors in pro wrestling is what kills business. When the writers and bookers stop believing they are smarter than the talent, start working with them instead of above them, then the money will come back.

The curtain has been pulled back on the mystery of wrestling, but the ability to tell a story hasn't. People still go to broadway even when they know the play isn't reality TV, the same can happen for Pro Wrestling. Bookers just need to stop booking for their own benefit and start doing it for the best interests of the talents and the fans. Stephanie, Russo, and Cornette need to evolve with the business instead of kicking and screaming to keep it the way they like it. Simply put they need to leave their comfort zone.

When the bookers/writers of wrestling take risks then they will break new ground. They will establish new places for the minds of fans and talents to go, which is all both sides are asking for. Fans want fresh storylines that don't look like the same recyled crap they have watched since Flair and Hogan. Talents wants new ways to get their characters over other than the cookie cutter ways that have been the standard since Nash was Oz.

People will say there is no new ground in pro wrestling. They will say that everything has been done. Those are the people who think the world of pro wrestling is flat. I am here to tell you it is round. If we sail our ships to the edge, we won't fall off, we'll just discover new territory. Money can be made with a seven footer or a midget. Money can be made with women or men. Money can be made with anyone. It's up to the creative minds to finally start doing their jobs and finding that money by discovering new ground in Pro Wrestling.

In this business it will never be about size, but about sizzle. The easiest way to get sizzle is to give people something they've never seen before. That will get people talking, which is what Kevin Nash has done. And they're only talking because there is nothing new to take Nash's place.

Is Pro Wrestling’s Third Wheel Going Flat?

Last week I got into a Facebook debate with my longtime friend, and wrestling comrade, Shaffee about the future of Ring of Honor. For those that don’t know, He is the afternoon host on 97.9 WGRD in Grand Rapids, MI. Shaffee and I also got into the wrestling business at the same time working with the PWF in 2000 & later with the Farhat family’s AWWL in 2002.  He’s the former manager of Sabu, and has wrestled for TNA at Bound For Glory against Traci Brooks. I think most of us are more jealous of the latter.  

Shaffee made the statement that Ring of Honor would be out of business by the end of 2012. It’s a bold prediction, but one he backed up. He pointed out that the promotion’s television product has its holes. For instance, the episode he recently watched involved a moment where an ether rag was used to knock out an opponent. The rag made its way into the crowd, and ROH showed fans sniffing the rag & laughing. The crowd knew the rag was a fake, and whatever loose form of kayfabe was shattered not only to the crowd but the audiences watching at home. This was one of many points that Shaffee made. That and RoH referee Todd Sinclair was bigger than most of the wrestlers.

It made me wonder if Ring of Honor, the favorite promotion of “smart” wrestling fans, was going the way of Extreme Championship Wrestling or Smokey Mountain Wrestling. Almost a year ago RoH was purchased by Sinclair Broadcasting Group, and it looked like the promotion was ready to slide into the top three behind WWE & TNA. According to SBG, Ring of Honor would reach almost a quarter of television sets in America. Yet a year later it seems that RoH has lost some of the allure it had going into the deal.

First, the biggest news out of RoH recently has been the talent that is leaving. Kenny King, current RoH tag team champion, showed up on TNA’s Impact Wrestling last week. RoH responded with a press release claiming they had been stabbed in the back by King. Yet, it was RoH who made the bush league decision to put a title on a non-contracted wrestler. Something anyone with any business logic knows is a no-no. Now a new shoot video with Kenny King is making the rounds as he doubts the vision and direction of Ring of Honor.

On top of that is the rumors that RoH poster child Davey Richards is once again talking about retirement. Richards has been talking retirement for years, but it never helps the promotion to be in limbo with one of its top stars. The constant mention of Richards walking away from wrestling can only fuel the flames of Ring of Honor not making it to 2013.

One man shoveling dirt on the grave of RoH is former WCW announcer Mark Madden. The Pittsburgh sports talk radio host has penned a few articles about his perceived problems with Ring of Honor. Madden comments on their attendance numbers being dismal, pointing to RoH drawing less than 500 in Pittsburgh. He is the most vocal of the RoH dissenters that has shed light onto talent issues such as Richards’ perpetual retirement to become a fire fighter.

Mark also points out that Jim Cornette, one of the last hold overs from 80’s territorial wrestling, is running the promotion like a small time regional federation instead of the national entity that it should be. Madden and Shaffee both have pointed to the use of local DJs or Promoters on the RoH TV product that makes Ring of Honor seem more like the small time carnival coming to town than the #3 wrestling promotion in the world. In wrestling perception still counts for something, and Cornette’s direction of the promotion has it being perceived more as a low rent indie fed barely removed from the flea market, and less like the national wrestling promotion reaching millions of viewers weekly.

The final straw might have come when Ring of Honor cancelled their tour of the Carolinas. A traditional wrestling hot bed, the cancelling of the tour might have been out of RoH’s hands but it only stokes the fires of RoH’s doubters. With talent leaving, talent talking retirement, wrestling talking heads taking shots, and cancelled tours, the demise of Ring of Honor might be over exaggerated, but the discussion is still happening. It’s a discussion that can only hurt Ring of Honor. What fan wants to invest time into a promotion that might not be around in a few months, even if it is just rumors?

Speaking of fans, it might be their fans that are doing the most damage. Ring of Honor is the haven for “Smart” fans. The fans who believe they know more about the wrestling business than even the wrestlers or the promoters. A perfect example is the end of the recent Ring of Honor iPPV, “Best in the World”, where Kevin Steen takes a 5 minute shit on the fans. He cuts a promo that would have caused a riot in New York if done fifteen year ago. Instead as he runs down the fans they continue to cheer Steen. They’re smart fans and they’re not going to get tricked into booing for this man because they know better. Only proving they don’t know shit.

What they’re really doing is sending a confusing message to regular wrestling fans trying to watch the RoH product for the first time. Why are these fans cheering a man who is calling them a bunch of names and insulting them to their face? Because new RoH fan, Smart Wrestling fans are the dumbest fans around. They think they know best, which usually means they know nothing. In the end not going along with the show to prove something is only going to prove people like Shaffee & Mark Madden right. That being, Ring of Honor isn’t long for this world.

When your audience won’t let go of the Cult persona, neither can the promotion. This is the smart fans wrestling promotion, and nobody is going to change it. Which means when RoH tries to go national, its fan base can’t adapt to being the #3 wrestling promotion in the world. It’s the basic theory of evolution, when you can’t adapt you die. Smart wrestling fans won’t let RoH adapt. They won’t buy into Kevin Steen as the bastard trying to close down Ring of Honor, in fact they’re helping shut the door.

Ring of Honor has a lot of problems, as any company going from small business to national entity does. The biggest is their fans, and their lack to truly support the product by being wrestling fans again. Their need to prove they are smarter than the average fan only lends to smothering the promotion. It won’t be Kenny King or Davey Richards leaving that kills RoH. It won’t be Mark Madden or Shaffee doubting the promotion that will kill RoH. It won’t even be cancelled dates that does in the promotion. It will be their fans and their inability to be simply fans that will snuff out Ring of Honor. Until the real fans outnumber the smart fans, Ring of Honor will be a small fish in a big pond. And what happens to small fish in big ponds? They get eaten alive.   

Ring of Honor: Hard Hits & A Few Misses

Yesterday I decided it was worth the 12 dollars with my ringside membership to watch Ring of Honor’s latest iPPV offering, “Best in the World 2012: Hostage Crisis”. An iPPV with a title as long as “Police Academy 4: Citizens on Patrol”, and equally as enjoyable. Who doesn’t love a film with Bobcat, Bubba Smith, and The Guttenburg? The same people who don’t like wrestling shows involving teeth missing, broken tables, and girls in tight outfits. Luckily for me I am a fan of all these things, especially the Guttenburg.

Like Police Academy movies, Ring of Honor had its flaws on Sunday, but it was overshadowed by a slew of successes. I mean who thought it was a good idea to give Bobcat a gun? Probably the same person who came up with idea for the Guardians of Truth, including having them open the show.  Then again who cares about that when Adam Cole is stealing the show!

The iPPV problems Ring of Honor had during Border Wars seem to be a thing of the past. The feed for this show was crystal clear, and had minimal glitches that are not uncommon with normal cable HD. After a few minutes I had forgotten I was watching an iPPV. It was that good of a picture.

ROH kicked things off with the Briscoe Brothers against Truth Martini’s new mystery tag team, The Guardians of Truth. The Guardians are former WWE tag team champions the Headbangers in all black including full masks that make them look like generic versions of the Villanos. I’ve seen the Briscoes wrestle for almost a decade, and this might have been the worst match in their RoH careers. It could have been the loose and sagging ring ropes that threw them off, but I would give more credit to the Guardians.

The former Headbangers seemed to be having a bad day at the office. Their timing was off, and it looked a lot like when old aging stars work young guys at an indie show. A perfect example of this was at the finish when one stood at ring side watching the other about to get demolished by the Briscoe finisher, and did the “it takes me 20 seconds to slide under these ropes & help you” thing. These two are supposed to be athletic killing machines that can’t even slide under a rope. It might just be me, but this match wasn’t my cup of tea.

When I’ve booked shows in the past I have always had one important rule. The main event is the most important match, the opener is the second. The opener sets the tone for the night. It is the pace car that every other match is going to be judged on. This match told me that tonight was going to be sloppy. Luckily that turned out to be wrong, but it did take until Adam Cole got his teeth knocked out two matches later for my spirits to change. This put a damper on a good Homicide & Eddie Edwards contest between the two matches.

Homicide & Eddie Edwards had a good back and forth match. The announcers focused on Eddie’s injured arm, and a part of me wished Homicide did too. The thing is that wouldn’t have been in character for Homicide. He did some stuff with Eddie’s arm, but I wouldn’t call it an all-out assault on his arm.

Homicide has developed this amazing brawler persona, and that means he shouldn’t be taking apart his opponents injured area. He should be tossing everything including the kitchen sink at them, which is exactly what happened to Eddie Edwards. In the end it was too much as Homicide hit the gringo killer, a neck/shoulder based finisher, for the win. Picking up a “W” against Edwards can only mean Homicide has big things in his future, possibly a World title shot.

Holy Shit is all I can say about Adam Cole. There are matches or moments you can point to that make a wrestler in the eyes of the fans. It happened for Eddie Edwards when he wrestled with a broken elbow, and it happened last night for Adam Cole when he had his two teeth knocked out.

The concept of the match between Cole and Kyle O’Reilly was idiotic. The Hybrid styles concept should just be put in a shredder and forgotten quickly. The whole thing stinks of the Bound for Glory series in TNA, which is the stupidest thing in pro wrestling today. There are all these rules and regulations that can lead to fouls, and then on top of that there are different types of fouls. Plus there is a standing ten count, and probably a five minute penalty for roughing. I don’t know, but it wouldn’t have surprised me with all the ins and outs of this match. Anytime you actually need something longer than the Ten Commandments to describe the regulations of your wrestling match then it is overbooked. Just follow some advice from my grandma, Keep It Simple Shithead. My grandma had a dirty pirate mouth.

The match itself was off the charts good. The two traded blows with such violence that at one point a kick knocked out Cole’s teeth. Credit goes to the RoH camera crew for the close up of the teeth on the mat. Both had an amazing showing but it was Cole, who embraced the waterfall of blood spewing from his mouth, that put his stamp on the match. In the end Cole won with a figure four leglock, but that doesn’t matter as he skyrocketed himself into something bigger in RoH. I’m talking Tommy Dreamer taking a caning in ECW bigger.

Fit Finley & Michael Elgin followed with a good technical match. It started out slow, but had to after what had just happened. Fit Finley is one of the best vets on the Indie scene, and he looked to be moving better than both members of the Guardians of Truth combined. The two turned it up in the second half of the match as Elgin picked up the win with his impressive power bomb combo. Elgin is beginning to start his face turn as a feud between he & Roderick Strong has begun to brew.

Ring of Honor had a logic slip up during the match as Fit Finley used a Tombstone pile driver on Elgin for a two count. The main event was built around pile drivers being illegal. Something that was later rectified by the announcers during the main event when they said the ref was fined for not disqualifying Finley. It isn’t major, but little brain farts like this can mar a promotion if they are kept unchecked. Especially when one of the major angles is based around a move being banned, it doesn’t sell the idea well if other wrestlers are doing the banned move.

After intermission Mike Bennett with Bob Evans and Maria came to the ring. If it wasn’t for Maria Kanellis then I don’t think I would ever get excited for a Mike Bennett segment. In fact if from now on the camera just focused on Maria, it would greatly improve the segment all together. Mike Bennett continues to follow the “Being a Heel for Dummies” handbook.

Mike Mondo comes out. He drops a lot of F-bombs. He talks about beating Bennett and after he’ll do the humpty dance with Maria. Now if only that was a real stipulation. The two fight. It kicks off a new feud for ROH TV. It was good for what it was. Plus it got Maria in front of the camera in the best daisy dukes outside of Hazard County.

The television title three way dance was a good change of pace as it really ratcheted up the speed on the card. All three men were great in their roles, but Roderick Strong is heads and shoulders above most in the ring. His dropkick is a thing of beauty. Mia Yim doing a super kick was a cool moment that I hope gets included in more matches.

The end was all circus to further the story line between Ciampa, the embassy, & the house of truth. Then the quick finish between Strong & Lethal caught almost everybody by surprise, which wasn’t a bad thing. It made sense with all the chaos going on. Strong’s finisher is something everyone should see. When it is done right it might be more impressive than the Canadian Destroyer.

The World’s Greatest Tag Team and the All Night Express had a good tag match. The referee played up the WGTT too much as he would warn Haas about being in the ring, but never warned the ANX about it. That and he told Haas he wasn’t the legal man because he never tagged but turned around & counted a school boy when Haas was rolled up seconds later. Stick to your logic, and don’t count the guy you said wasn’t legal.

In the end the ANX won the titles. The place went nuts. It’s good for them, but the attack after looks like things are far from over. It stinks that they couldn’t celebrate more to get over the title change.

The main event was off the charts good. Kevin Steen is probably the best character in the whole company. He has charisma, a unique look, and can wrestle his ass off in any style. Davey Richards is growing into more than just the MMA guy. These two killed each other in a brutal match that featured tables, ladders, chairs, spikes, and some of the nastiest falls I’ve seen in years. This wasn’t a technical match, it was a brawl.

For those that enjoy the old ECW style then this is a match you’ll want to hunt down. It had tons of unique spots including a great moment where Jim Cornette gets manhandled by Steve Corino. Jimmy Jacobs as the lackey of Steen is a great tool for the champ. The two work really well together. I don’t expect Steen to drop the belt anytime soon as he is easily the biggest draw for fans.

His post-match verbal assault on the crowd proved that smart wrestling fans are idiots. He basically opened their mouths and shit down their throats as they cheered every moment of it. Smart wrestling fan really is an oxymoron. His anti-New York rant has me believing that Homicide could be next in line to end the reign of terror known as Kevin Steen, with a possible blow off match at Final Battle in December back in New York City. I don’t know for sure, but the booker in me sees the biggest dollar signs in that.

Overall Ring of Honor delivered on the best “pay per view” of the month. It was easily better than WWE’s No Way Out, and edged out TNA’s slammiversary. If you have a couple dollars, and four hours, then I highly recommend getting the replay. Either that or go watch Police Academy 4 on Netflix because Maria’s daisy dukes might be as good as Lt. Callahan’s white t-shirt.