Many have fired shots back at Big Sexy. Chris Jericho says it was Nash's run as WWE champion in 1995 that was the lowest drawing period in the WWE, and that he merely took a ride on Hall & Hogan's coattails in the NWO. Chavo Guerrero Sr, who knows a little about this sport called wrestling, laid into Nash claiming besides his size that he lacked any wrestling ability. Jim Ross even disagreed with Nash, but wasn't as vocal in his opposition.
The fact is that Kevin Nash is good at creating a buzz. It maybe his greatest talent. He's like that kid on the playground that just knows what buttons to push. He's a big guy, there are a lot of smaller wrestlers in today's environment, and the two guys he talked about aren't around anymore to defend themselves. Put all of it together, and it creates the perfect storm. In short, he hooked em.
Now no matter what side you're on you have gone to Grantland and read the article. You've read the small snipet that is creating all this craziness, but you've also read about his Hollywood projects. You've read about what Kevin Nash is upto now. You've made Kevin Nash a headline story on all the wrestling sites, and he hasn't stepped foot in the ring for one of the big 3 wrestling promotions. He's more talked about right now than Brock Lesnar, HBK, or HHH; the main players in the Summer Slam main event in 11 days. Kevin Nash without trying has out sizzled the WWE and TNA, both going into big pay per views.
Now I disagree with Kevin Nash. I don't believe size matters because even as far back as the 60's midgets have drawn money. What draws money is the bookers or writers being able to create storylines, matches, and moments for talents big & small that keep the fans opening their wallets.
Truly what has killed wrestling, especially in the WWE, is the lost art of true creative minds in the business. The head of creative for the largest promotion got her job because of her last name. The guy leading the writers in TNA is still living off his stroke of luck from the attitude era that he hasn't been able to recreate in nearly 15 years. Finally the brain trust in Ring of Honor continues to run it's promotion like it's the late 80's, which hasn't done much to move the needle.
All in all the talents and fans have evolved, the creative process has devolved. That kind of seperation between the major factors in pro wrestling is what kills business. When the writers and bookers stop believing they are smarter than the talent, start working with them instead of above them, then the money will come back.
The curtain has been pulled back on the mystery of wrestling, but the ability to tell a story hasn't. People still go to broadway even when they know the play isn't reality TV, the same can happen for Pro Wrestling. Bookers just need to stop booking for their own benefit and start doing it for the best interests of the talents and the fans. Stephanie, Russo, and Cornette need to evolve with the business instead of kicking and screaming to keep it the way they like it. Simply put they need to leave their comfort zone.
When the bookers/writers of wrestling take risks then they will break new ground. They will establish new places for the minds of fans and talents to go, which is all both sides are asking for. Fans want fresh storylines that don't look like the same recyled crap they have watched since Flair and Hogan. Talents wants new ways to get their characters over other than the cookie cutter ways that have been the standard since Nash was Oz.
People will say there is no new ground in pro wrestling. They will say that everything has been done. Those are the people who think the world of pro wrestling is flat. I am here to tell you it is round. If we sail our ships to the edge, we won't fall off, we'll just discover new territory. Money can be made with a seven footer or a midget. Money can be made with women or men. Money can be made with anyone. It's up to the creative minds to finally start doing their jobs and finding that money by discovering new ground in Pro Wrestling.
In this business it will never be about size, but about sizzle. The easiest way to get sizzle is to give people something they've never seen before. That will get people talking, which is what Kevin Nash has done. And they're only talking because there is nothing new to take Nash's place.
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